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Ela Egidy  / Tristan Main
Exhibition identity for ‘nightshifts’, Buxton Contemporary, 2023. Exhibition identity for ‘nightshifts’, Buxton Contemporary, 2023. Exhibition graphic design for ‘nightshifts’, Buxton Contemporary, 2023. Exhibition graphic design for ‘nightshifts’, Buxton Contemporary, 2023. Exhibition graphic design for 'Bark Ladies', Naminapu Maymuru-White, Starry night floor, National Gallery of Victoria, 2021 Exhibition graphic design for 'Bark Ladies', Naminapu Maymuru-White, Starry night floor, National Gallery of Victoria, 2021 Publication design for 'Susan Jacobs: The ants are in the idiom', Buxton Contemporary, 2022. Publication design for 'Susan Jacobs: The ants are in the idiom', Buxton Contemporary, 2022. Publication design for 'Susan Jacobs: The ants are in the idiom', Buxton Contemporary, 2022. Exhibition graphic design for 'Susan Jacobs: The ants are in the idiom', Buxton Contemporary, 2022. Visual Identity and collateral for Project 8 Gallery, 2022. Visual Identity and signage for Project 8 Gallery, 2022. Visual Identity and signage for Project 8 Gallery, 2022. Visual Identity and signage for Project 8 Gallery, 2022. Visual Identity and collateral for Project 8 Gallery, 2022. Visual Identity and collateral for Project 8 Gallery, 2022. Visual Identity and website for Project 8 Gallery, 2022. Visual Identity and website for Project 8 Gallery, 2022. Visual Identity and website for Project 8 Gallery, 2022. Visual Identity and website for Project 8 Gallery, 2022. Visual Identity and website for Project 8 Gallery, 2022. Exhibition graphic design for 'Observance', Buxton Contemporary, 2021. Exhibition graphic design for 'Observance', Buxton Contemporary, 2021. Exhibition graphic design for ‘French Impressionism From The Museum Of Fine Arts, Boston’, National Gallery of Victoria, 2021. Exhibition graphic design for ‘French Impressionism From The Museum Of Fine Arts, Boston’, National Gallery of Victoria, 2021. Exhibition graphic design for ‘French Impressionism From The Museum Of Fine Arts, Boston’, National Gallery of Victoria, 2021. Typography for ‘Hoda Afshar : Speak the wind 2015 – 2021, ua usiusi faʻavaʻasavili, TarraWarra Biennial 2023, 2023. Exhibition graphic design for ‘Camille Henrot : Is today tomorrow’, National Gallery of Victoria, 2021. Exhibition graphic design for ‘Camille Henrot : Is today tomorrow’, National Gallery of Victoria, 2021. Exhibition graphic design for ‘Rebecca Belmore Turbulent Water’, Buxton Contemporary, 2022. Publication design for ‘Peter Tyndall’, Buxton Contemporary, 2022. Publication design for ‘Peter Tyndall’, Buxton Contemporary, 2022. Publication design for ‘Peter Tyndall’, Buxton Contemporary, 2022. Publication design for ‘Peter Tyndall’, Buxton Contemporary, 2022. Exhibition design for ‘Peter Tyndall’, Buxton Contemporary, 2022. Exhibition design for ‘Peter Tyndall’, Buxton Contemporary, 2022. Exhibition design for ‘Peter Tyndall’, Buxton Contemporary, 2022. Exhibition design for ‘Peter Tyndall’, Buxton Contemporary, 2022. Publication design for ‘Peter Tyndall’, Buxton Contemporary, 2022. Exhibition identity for ‘Still Life’, Buxton Contemporary, 2021. Exhibition graphic design for ‘Gabrielle Chanel. Fashion Manifesto’, National Gallery of Victoria, 2021. Exhibition graphic design for ‘Gabrielle Chanel. Fashion Manifesto’, National Gallery of Victoria, 2021. Exhibition graphic design for ‘Gabrielle Chanel. Fashion Manifesto’, National Gallery of Victoria, 2021. Typography for ‘Hoda Afshar : Agonistes 2020, Photo2020 Melbourne. Exhibition graphic design for ‘Shook and Sunlight : Australian Impressionism’, National Gallery of Victoria, 2021. Signage for NGV Summer Nights, National Gallery of Victoria, 2020. Signage for Pond[er], Taylor Knights with James Carey, National Gallery of Victoria, 2021. Signage for NGV Summer Nights, National Gallery of Victoria, 2021.

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